When you put a capo on the neck of your guitar at the first
fret it alters the relative inversions of all
of the chords in the song, not just the first two. Having to start
the same number four times because you keep remembering that just after you’ve
hit the next successive chord after the one you got right the last time will endear you
to neither audience nor long-suffering vocalist, although the former
will probably find the expression offered toward you by the latter during this process very amusing
indeed.
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