It has been a tricky day in Picturehouse terms. I have spent no little time corresponding with an employer regarding just exactly when and where we are required to be so that his big day runs logistically as close to perfect as is possible, which is entirely reasonable and proper. Unfortunately, this doesn't run quite so concurrently with the ideas of the bands' perfect days, which don't generally involve driving fifty miles to soundcheck at lunchtime and then be hanging around for eight hours until called upon to perform. This, we reason, is why proper musicians charge as much as they do for this sort of thing. As willing amateurs however, we're just grateful that we're invited to the barbecue afterwards. Mind you, we are tonight due in sunny downtown mid-Suffolk for a performance at a pub which is notable for the distance betwixt performance area and bar. This can prove tricky in terms of developing a satisfactory band/punter interface scenario, since we are pretty much stuck at one end of the building due to our reliance on fixed points of electrickery and they are free to sit at the bar, although guitarist/singer Barry does have one of those new fangled radio lead thingies, which means that he's pretty much free to wander as he pleases. This, it transpires, will not be an issue this evening as for some unknown reason a stag party of bright young things, none of whom look old enough to make this sort of decision, has chosen to pitch up here and enjoy the evening with us. Also along are regular supporters JohnandDonna and a lady who introduces herself at half time and is so charming and effusive that we break all our rules and do a request for her to kick off the second half. Not that we know the song to start with, but we have a head start in that it is by Snow Patrol, who may be one of the most popular bands in the universe but, my lord, talk about three chords and the truth...! Frustratingly, these half written anthems outsell anything I've come up with in the past by about three trillion to one, and so I'm really in no position to criticise, but hey, if A, A flat and D work for you, why knock it? Chasing Cars it is then. This goes down terribly well, as does Frisky Pat's Moon-like demolition of his kit at the end of the set. We then have to put it back together for the encore, for which someone (hmmm hmm hmm, la la la) forgets to turn the out front vocal p.a. back on. At the close of the evening it's Pat's turn to lie on the carpet groaning gently and muttering that he can't play the drums. Usually that's Kilbey's job... At some point during the evening I muse that there is a machine in the toilets that dispenses a 300mg capsule of fifteen blended herbs guaranteed to 'enhance performance'. I've had a KFC on the way to the gig which boasts similar properties and was 79p cheaper, but no-one seems willing to test this theory out. Frisky Pat comes out with the money and relays that we need to get out sharpish as they need to clear up for a function the next day. We are drones - disposable, of the moment and performing a function. An, if you will, function band. This isn't what I dreamed of.
See use of the Oxford comma above, as I tonight learned that it is called. We don't just waste our time between sets , you know.