I see from a report in Her
Majesty’s Press that local landmark The Mulberry Tree is up for sale. Well, I
say ‘report’ – what I mean is a non-subbed, non-parsed cut & paste from the
selling agent’s website describing the assets of the building. This, I’m
afraid, is what passes for journalism these days – this and an endless (re)cycle of
former glories and nostalgic, misty mountain hop-flavoured memories of the way
we were*. Still, you don’t need another reflection on the decline and fall of
the local paper from me – there are many, many ex-journalists who are more than qualified
to give you that, but if their modus operandi is simply to exploit the archive
then surely one day they’re going to run out of history** - although I know of several bits that they won’t be able to lay their hands on, because at the
end of his tenure as rock and pop correspondent (never a massive priority for
the editor) Mr. Wendell*** lifted as many glossy 8x10 photographs with the
circles and arrows and a paragraph on the back of each one explaining what each
one was as he could cram into his briefcase. There are more mullets in there than in a Floridian haul seine net.
In a spirit of research though, here are a
couple of things I found with their look up function – here’s Picturehouse letting local radio
presenter Simon Talbot play guitar with us and here’s me and James looking
forward to our shot at Hollywood glory. Because we’d written a song the
photographer for the latter story asked us to pose holding pencils and a piece
of paper, and my favourite quote from the eventual published piece is “…several
other talented musicians make up the band, some of whom play occasionally”. You
see – [CTRL] + C – I could do that
job. We took that picture in The Dove, by the way.
Sadly, The focus of the current 'story' is on the value of the property, and
not on the vital part the venue and it’s custodians played in my
rise and rise to rock stardom and notoriety during the pub’s time as the
rebranded The Milestone in the latter
part of the last century and the early stirrings of this. Having moved from The
Olive Leaf just up the road, Karen and Ady brought along some of the house bands who had
kept them entertained so royally during their tenure there and here it was also that a nascent
Songs from The Blue House made our live debut, and where we then backed La Mulley at SSW as
she first presented many of the songs which would go to make up our second album.
Here The Picturehouse Big Band hosted a series of themed
gigs – the Football Kit Night was going well until I tried to play 2-4-6-8
Motorway in goalkeeping gloves (don’t listen to those who tell you it improved
the whole experience), our Beach Party drew admiring reviews regarding the
nature of then-bass player Andy’s shortie shorts (Kilbey sported a
Beckham-esque sarong) and the inevitable school uniform night came with the
consequence that the music respectfully stopped whenever Katinka went on a
glass-collecting run. There was the night that Limehouse Lizzy cancelled up at
The Railway and we threw in a couple of impromptu Thin Lizzy numbers (“It’s Em,
D, C and G all the way through – I’ll do the solo…”) and Pete Radar Pawsey did a harmonica solo in
Take It On The Run. The Star Club played after-park parties which pulled in
almost as many folk as watched us at Ipswich Music Day, I DJ’d a vinyl-only
night - hell, they even let gods kitchen play.
All this reduced to “The property comprises of a ground floor L shaped
bar, 50 covers, a tap room for beers & ciders from the barrel, ladies,
gent’s and disabled toilets, a walled garden with seating area for 16 covers,
complete with a BBQ dining area and a beer garden to the front of the premises.”
Sorry, I do beg your pardon – that’s from the Penn Commercial listing – this is
from the Ipswich Star story – “The property comprises a 1,599 sq ft ground floor
L-shaped bar with 50 covers, a taproom for beers and ciders from the barrel.
Outside there is a 1,237 sq ft walled garden with seating for a further 16
covers, complete with a BBQ dining area.” [CTRL] + P.
And this is just from my
experience – think how many stories they could spin out if someone was just
prepared to get off their big fat keyboard, pick up a phone and ring a few
people. What about the night David Coverdale bought a round for everyone in the pub, when Tony Hadley got turned away from a lock-in because no-one
recognised him, Dave Greenfield turned up at songwriter’s night and played
Golden Brown or The Levellers were in there after their encore at The Regent
before the audience were?
“Upstairs is a three bedroom flat with study, and a
living room, attractive fitted kitchen and separate toilet and bathroom with
free standing bath. The flat has also been recently renovated and decorated to
a good standard” my arse.
**We listened to an interview with an executive from Archant regarding the future of local papers on the wireless one day on our way to a festival, and if he said ‘monetise’ once, he said it twenty times, and it was only a ten minute feature. When the Ipswich Star do the inevitable self-aggrandizing history of their new offices, I hope they remember to include this.
***Following in a distinguished succession of feature writers (Rob Hadgraft, Simon Berrill, Julie Adams), Mr. Wendell employed Our Glorious Leader James and Myself as (unpaid) singles reviewers and once interviewed our band As Is for a feature which appeared under the headline “Too Lazy to Work, Too Scared to Steal”, which was a mantra we’d adopted from Green on Red’s Dan Stuart – his response to the question as to why he was a musician.
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