Being pretty much a scratch line-up due to prior holiday and theatrical commitments on the parts of both Producer Andy and Turny Winn, Mr. Wendell, Helen & I were bolstered by the incipient stand-in skills of gods kitchen and SftBH alumnus Mr. Gibbon, on whose behalf our promoter and sound man Steve played an old Goodies single over the PA as our intro music, which was a thoughtful gesture. We were also joined by the ‘half’ mentioned earlier, Steve’s daughter Amelie, who was to play flute on our closing number, Come On#2*.
Due to Gibbon’s familiarity with some of our further back-back catalogue, we had eschewed some of our more recent song writing efforts in favour of tunes that most of us knew all of already and were mostly in G, just to keep things doubly simple. Amelie sat rather nervously through the show and then, at her cue, steadied herself, drew a deep breath and played a lovely octave counter to Helen’s part before sitting rather relievedly back down again, graciously declining the opportunity to jam on our encore despite our entreaties and encouragement that “…it’s in G, like that one”. The twin flute attack - which I have experienced once before, in another lifetime - is something that we might have to look at again. Mellifluous, it is.