To The Steamboat for Suffolk Songwriters’ Night, where the
great and the good (and occasionally the ghastly) of the Ipswich scene gather to show off their wares, try out
some new stuff or, if you’re the informally-monikered Acorn Trio (Shev, La
Mulley and Myself), get together over a couple of pints and play that fast
thing one more time. Having secured non restriction-infringing parking round
the corner we wend our way to the venue, guitar cases in hand like so many of
the hopeful, the hapless and (on one occasion) the harpist before us. As we pass
along Bath Street I note that the recently landscaped waste ground is where my
father used to sit designing parts for the biggest walking dragline in the
world (there’s a model of it in the Ipswich Transport Museum – I can point out
the bits that he did much in the same way that Slartibartfast would recall the
Magrathean fjords) and where I was catapulted headlong into children’s Christmas
parties in the staff canteen. It seems so long ago, and far away. The past is a
different country. They make things there.
Onstage are the mighty Buffalo Road newly re-enlivened, as
so many of us are, by a one-off reunion gig which sparks the old synapses back
into action and which leads to at least a partial reformation. Some twenty or
so years after the release of their last album they’re back in the studio and back on stage, kicking a grit pail down that dusty ol’ back road one more time. Singer
and guitarist Mike appears to have spent the intervening years cryogenically
preserved in a Memphis store room. Shev searches for a wisp of a name “Tall
guy, hat, skinny jeans…”. “Dwight Yoakham?” I suggest. “That’s him”. I’ve been
listening to a lot of Joe Ely recently. It's that sort of ballpark. Upon the introduction
of a song from their debut album Ro, my niece, whispers “I wasn’t even born
then”.
Taking the stage before an audience containing a good number
of his performing arts students Shev observes that “We started this night,
sixteen years ago…”* We run through our
allotted three song set to a gratifying reception and remember to observe the
unwritten constitution of SSW – pay attention, be polite, no talking during the
turns – beforehand and afterwards. Next up is a band featuring one of the aforementioned
kids from the college. He is a tall fellow who attacks his bass with the
puppyish enthusiasm of a neophyte and reminds me simultaneously of my brother-in-law
and of the bass player from Dawes. “He’s all over the place, he can’t wait to
get around the neck” comments his mentor approvingly. “So as an exercise I made
him play the full version of Papa Was a Rolling Stone. It drove him mad”. He
chuckles into his beer. “We should do this again some time”.
*I had to check the date this morning through the power of Google
to confirm it. Sixteen years ago we didn’t even have
Google.
1 comment:
It's the sort of night that passes for typical up here. I do my songs in rapid bursts of three too. And what I lack in skill I make up for in sheer volume. Every now and then I get rewarded when the room sing my chorus back to me. You can't buy those sort of nights; well, actually, you can - they're normally a pound on the door and a plate of sandwiches at half time. I really must make a pilgrimage to Ipswich. I think The Swede lives nearby - two birds, one stone and all that.
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