It’s
tempting, I know, to consider me sitting back in my leather-bound armchair,
puffing contentedly on a pipe and taking the occasional quaff on a stiff scotch
as I dictate my memoir to a liveried flunky who then goes off to the British
Library and uploads my latest reminiscence to an eager waiting public. Something
about how the toilets in the Newt and Cucumber had a great reverb, or that bar
whose gimmick was that all the tables had telephones on them, and the time that someone
called the one nearest the stage to ask us to turn it down a bit as they couldn’t
carry on their conversation without shouting, that sort of thing. Enquiring minds need to know - in fact only the
other day I was parking the car when a gentleman stopped me to enquire whether
I still get out and play and what the rest of The Star Club were up to. I informed
him that our front man Shev was still writing and performing with his new band.
“Ah” he shook his head wearily “But it’s not The Beatles, is it?”
I bumped
into Frisky Pat, a drummer friend of mine the other day (at a child’s birthday
party, where our respective scions were eating crisps and hitting each other
with balloons – not unfamiliar behaviour from our time on the road together, as
it happens) and talk got around to how the idea of being in a band is great,
whereas the practicalities of missing tea and getting home at four in the
morning so that a drunk person can shout “Sex on Fire!” at you repeatedly in
between times for three hours gets a trifle wearing after a certain number of
repetitions.
Nevertheless,
I think it’s important to at least maintain the semblance of being in a band,
even if that just means doing the occasional bit of writing and demoing at home
just to keep your hand in, and so last week I foreswore the opportunity to go
out and watch some of my friends playing music in order to stay in and make
some of my own. Besides, once I start shouting for Kings of Leon songs after my
third pint I tend to get on their nerves.I had a simple little song which had previously been demoed and performed acoustically a couple of times, but I also had great dreams of swirling cinematic soundscapes of the sort McAlmont and Butler might hire Abbey Road to produce, or that Tom Scholz might dream up in his basement. I also had a nice bottle of Rioja, the riff from Love Will Tear Us Apart and a lyric which contained both the place name Fingringhoe and employed the term allopatric to describe a relationship. Here’s what happened...
soundcloud.com/doyoudoanywing…
So, having clocked in, I feel I have re-established my still-a-musician time-served credentials and can now get on with the business at hand. Perkins, plump up the cushions, bring me a fresh glass and let me tell you about the time one of our audience cornered my wife at a gig at The Manor Ballroom to ask if our first child would be named ‘John’ or ‘Paul’…
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